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10 Best Analog Synthesizers 2025 in the United States

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Our Top Picks

#1

Winner

Moog Muse - 8-Voice Analog Bi-Timbral Polyphonic Synthesizer with 61 Keys, 64-Step Sequencer, 256 Patches and Diffusion Delay

The Moog Muse is a powerful analog synthesizer designed for musicians seeking rich, vintage-style sounds with modern performance features. It offers 8-voice polyphony, allowing you to play up to eight notes at once, which is great for lush chords and complex textures. Each voice includes two main oscillators plus a modulation oscillator, providing a wide range of tonal possibilities. The use of dual transistor ladder filters and discrete VCAs contributes to that classic Moog warmth and character.

One standout feature is its diffusion delay effect, which adds spacious echoes and atmospheric layers, enriching your sound without needing extra pedals or effects units. The 64-step sequencer and arpeggiator give you plenty of tools to create evolving patterns and sequences, making it suitable for both studio work and live performances.

Connectivity-wise, it includes MIDI, which means it can easily integrate with other gear or software setups. The user interface is thoughtfully designed with a knob-per-function layout, which makes sound shaping intuitive and immediate—important for those new to analog synths or anyone who prefers hands-on control.

On the downside, the Muse is fairly large and heavy (32 pounds, about 39 inches wide), so it may not be the best choice if portability is a priority. While it offers a deep feature set, the learning curve might be a bit steep for absolute beginners without prior experience in synthesis. Also, the number of user patches is somewhat limited compared to some digital synths.

In summary, the Moog Muse suits keyboard players, producers, and sound designers who want high-quality analog tones combined with flexible sequencing and effects. It’s a solid option for those looking to bring classic analog warmth into their setups with a modern twist.

#2

MOOG Subsequent 37 Paraphonic Analog Synthesizer and MIDI Keyboard with 37 Semi Weighted Keys, Headphone Amp, 256 Presets, Screen and Software Editor

Rating
10.0
Oscillators
Filters
Polyphony

Most important from
95 reviews

Oscillators
The multi-drive feature provides a warm, gritty texture that enriches the oscillators without harsh distortion, adding rich character to the sound.
Filters
It’s surprisingly powerful for its size, delivering deep modulation options and classic Moog filter tone that stands out in any setup.
Polyphony
The paraphonic two-voice capability adds unexpected creative depth beyond typical monosynth limitations.
User Interface
Its compact size and intuitive front panel encourage a deep understanding of signal flow and sound design, making it ideal for beginners and seasoned players alike.

The Moog Subsequent 37 is a powerful analog synthesizer that offers a rich sound design experience thanks to its dual oscillators, sub oscillator, and noise generator. It features a 2-note paraphonic setup, allowing you to play two notes at once that share sound shaping elements like the filter and amplifier, expanding creative possibilities beyond monophonic synths. The synthesizer provides two envelopes and two LFOs with flexible modulation routing, enabling complex and interesting sound shaping.

Its 37 semi-weighted keys respond to velocity and aftertouch, making it expressive to play. Connectivity options include MIDI, USB, audio inputs and outputs, headphone jack, and CV/Gate inputs, fitting well into both modern and modular setups. The included software editor helps manage presets and facilitates sound tweaking from your computer.

Weighing 22 pounds, it is relatively heavy and lacks a color display, which may be less convenient for those preferring a more portable synth with a detailed screen. Featuring 256 presets and extensive hands-on controls, this synthesizer suits professional musicians and serious synthesizer enthusiasts seeking classic Moog tones combined with versatile modulation and sequencing capabilities.

Rating
10.0
Oscillators
Filters
Polyphony

Most important from
95 reviews

Oscillators
The multi-drive feature provides a warm, gritty texture that enriches the oscillators without harsh distortion, adding rich character to the sound.
Filters
It’s surprisingly powerful for its size, delivering deep modulation options and classic Moog filter tone that stands out in any setup.
Polyphony
The paraphonic two-voice capability adds unexpected creative depth beyond typical monosynth limitations.
User Interface
Its compact size and intuitive front panel encourage a deep understanding of signal flow and sound design, making it ideal for beginners and seasoned players alike.
#3

Roland JD-XA 49-Key Analog/Digital Crossover Synthesizer

Rating
9.7
Oscillators
Connectivity
User Interface

Most important from
156 reviews

Oscillators
The analog synth section provides fat, tweakable tones with effects like distortion and fuzz that enrich the sound palette.
Connectivity
The unit works seamlessly as a digital audio interface with clean audio and MIDI over a single USB cable, simplifying recording setups.
User Interface
The vocoder stands out as exceptionally good, offering instant parameter access and superior quality compared to other popular synths.

The Roland JD-XA is a powerful analog/digital crossover synthesizer that combines the best of both worlds, making it a great choice for musicians who want rich, complex sounds. Its analog section features four parts, each with two oscillators, flexible filters, multiple envelopes, and LFOs, allowing you to shape sounds in detailed and creative ways. The analog filters are especially smooth and natural, responding well to adjustments, which is excellent for classic warm tones.

The digital engine expands sonic possibilities even further, giving versatility beyond traditional analog sounds. The synth has 49 keys, which is a comfortable size for live playing, though it’s not fully weighted like a piano. Connectivity is basic but functional with standard 6.35mm jacks and an AC adapter. However, the synth lacks a color screen, which might make navigation less intuitive for beginners or when programming complex patches. Also, the unit is quite heavy and large, so it’s less portable than smaller synths.

This synth suits advanced users or those ready to dive deep into sound design, offering robust sound engines and hands-on control, but it could be overwhelming if you’re new to synthesis or need a lightweight setup.

Rating
9.7
Oscillators
Connectivity
User Interface

Most important from
156 reviews

Oscillators
The analog synth section provides fat, tweakable tones with effects like distortion and fuzz that enrich the sound palette.
Connectivity
The unit works seamlessly as a digital audio interface with clean audio and MIDI over a single USB cable, simplifying recording setups.
User Interface
The vocoder stands out as exceptionally good, offering instant parameter access and superior quality compared to other popular synths.

Buying Guide for the Best Analog Synthesizers

Choosing the right analog synthesizer can be a thrilling yet daunting task, especially with the variety of options available. Analog synthesizers are known for their warm, rich sounds and hands-on control, making them a favorite among musicians and producers. To find the best fit for you, it's important to understand the key specifications and how they align with your needs and preferences.
OscillatorsOscillators are the heart of an analog synthesizer, generating the raw sound waves that are shaped into music. The number and type of oscillators can greatly affect the sound. More oscillators can create richer, more complex sounds, while fewer oscillators might be simpler but easier to manage. If you are looking for thick, layered sounds, opt for a synthesizer with multiple oscillators. For simpler, more straightforward tones, a single or dual oscillator synth might be sufficient.
FiltersFilters shape the sound by cutting or boosting certain frequencies. They are crucial for defining the character of the sound, from smooth and mellow to sharp and aggressive. Common types include low-pass, high-pass, and band-pass filters. If you want to create warm, bass-heavy sounds, look for a synthesizer with a good low-pass filter. For brighter, more cutting sounds, a high-pass filter might be more suitable. Consider what kind of music you want to make and choose filters that help you achieve that sound.
EnvelopesEnvelopes control how the sound evolves over time, typically affecting parameters like volume and filter cutoff. The most common envelope is the ADSR (Attack, Decay, Sustain, Release) envelope. This allows you to shape the sound's attack, how quickly it reaches its peak, how it decays to the sustain level, and how it fades out. If you need precise control over the dynamics of your sound, look for a synthesizer with flexible envelope settings. For more straightforward sound shaping, a simpler envelope might suffice.
LFOs (Low-Frequency Oscillators)LFOs modulate various aspects of the sound, such as pitch, filter, or amplitude, adding movement and complexity. They operate at lower frequencies than the main oscillators and can create effects like vibrato, tremolo, and rhythmic pulsing. If you want to add a lot of modulation and movement to your sounds, look for a synthesizer with multiple LFOs and flexible routing options. For more static sounds, fewer LFOs might be adequate.
PolyphonyPolyphony refers to the number of notes a synthesizer can play simultaneously. Monophonic synthesizers can play only one note at a time, which is great for bass lines and lead melodies. Polyphonic synthesizers can play multiple notes at once, allowing for chords and more complex arrangements. If you plan to play chords or layered sounds, a polyphonic synthesizer is essential. For single-note lines and simpler compositions, a monophonic synthesizer might be all you need.
ConnectivityConnectivity options determine how the synthesizer can be integrated into your setup. Common connections include MIDI, CV/Gate, USB, and audio outputs. MIDI and USB are important for connecting to computers and other digital equipment, while CV/Gate is used for interfacing with other analog gear. Audio outputs are necessary for connecting to speakers or recording equipment. Consider what other equipment you will be using and ensure the synthesizer has the necessary connections to integrate seamlessly.
User InterfaceThe user interface affects how easy and intuitive the synthesizer is to use. This includes the layout of knobs, sliders, buttons, and any display screens. A well-designed interface can make sound design more enjoyable and efficient. If you prefer hands-on control and immediate feedback, look for a synthesizer with a tactile, knob-per-function interface. If you are comfortable navigating menus and digital screens, a more complex interface might offer deeper functionality.

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