10 Best Bass Drum Drumheads 2025 in the United States

The Evans EMAD System Pack is tailored for drummers seeking flexibility in sound. The standout feature is the externally mounted adjustable damping system, which allows players to customize the attack and focus of their bass drum sound without the hassle of removing the drumhead. This is particularly beneficial for both live performances and studio recordings, as it offers control over how punchy or muted the drum can sound.

In terms of material, the pack includes a batter bass drumhead and a resonant drumhead, both made from a single ply of 10-mil film. This construction strikes a good balance between durability and tone, producing a solid low-end response that many drummers appreciate.

The Level 360 technology is another highlight, ensuring that the drumheads seat properly and are easier to tune. This feature contributes to a wider tonal range, making it easier to achieve the desired sound. The inclusion of an offset microphone port in the resonant head is also a thoughtful addition, allowing for seamless mic placement during recordings.

The Evans dB One Bass Batter drumhead is a notable option designed specifically for drummers looking to reduce volume while maintaining true-to-kit tones. One of its key strengths lies in its SHOCKWEAVE mesh construction, which utilizes Kinetic Transfer Foam technology. This combination effectively transfers impact energy into sonic vibrations, resulting in a more controlled sound and reduced noise, making it ideal for practice spaces or quieter settings. The reinforced striking surface with added impact patches also enhances the audible attack, allowing for clear articulation when played.

Another advantage is its ability to mimic the feel of traditional drumheads. Drummers can play as they normally would without needing to adjust their technique, which is particularly beneficial for those transitioning from standard heads to mesh types. Additionally, being manufactured in the USA adds a layer of assurance regarding quality and craftsmanship.

There are a few drawbacks to consider. While the reduction in volume is a benefit for many, some drummers might prefer the fuller sound produced by traditional drumheads during live performances. Also, the mesh material may not be suitable for every style of music, especially if deep, resonant tones are desired.

The Evans EQ3 Resonant Black Bass Drum Head is a solid choice for drummers looking for quality sound and reliability. Weighing in at 1.74 pounds and designed for a 20-inch bass drum, it features a single ply of 7mil film that contributes to its durability and resonance. One of the standout features is the fixed, internal overtone control ring, which helps manage unwanted overtones, making it ideal for both studio recording and live performances. The 5-inch offset mic port, which includes a plastic sleeve, is designed to enhance the pitch and attack while protecting the port itself, a thoughtful addition for those who use microphones frequently.

Available in various finishes, including frosted and onyx, the EQ3 allows for some customization to match your drum’s aesthetic. It’s worth noting that while the drum head is microphone-friendly, it may not be the best fit for drummers seeking a more traditional, uncoated sound. Some users might prefer alternative options that offer a different tonal quality or texture. Additionally, being designed in the USA is a plus for those who prioritize domestic manufacturing, but it might come at a slightly higher price point than imported options.

The Evans EQ3 is an excellent resonant drum head that suits a wide range of players—from studio musicians to live performers—seeking a balanced sound with minimal overtone interference. Just keep in mind your personal sound preferences to ensure this head aligns with your drumming style.