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10 Best Canon Lens For Video 2025 in the United States

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Our Top Picks

#1

Winner

Rokinon 135mm F2.0 ED UMC Telephoto Lens for Canon EF – Full Frame Compatible, Ultra Multi-Coated, Manual Focus, Removable Lens Hood, Ideal for Portraits & Low-Light Photography

Rating
10.0
Chosen by1,242
Focal Length
Aperture
Image Stabilization

Most important from
415 reviews

Focal Length
Its field of view on APS-C sensors is narrower, making it less ideal for portraits but excellent for distant or smaller subjects.
Aperture
The lens delivers outstanding sharpness even at its widest aperture, producing jaw-dropping 100% crops and maintaining clarity after heavy cropping.
Image Stabilization
Absence of autofocus and image stabilization means using a tripod or gimbal is advisable for steady shots at this focal length.
Autofocus
The manual focus ring is exceptionally smooth with a long throw, making precise focus adjustments easier and more enjoyable.
Lens Type
Its relatively lightweight design makes it manageable for longer shoots despite being a telephoto lens.

The Rokinon 135mm F2.0 ED UMC lens is a telephoto prime lens designed for Canon EF mount cameras, offering a fixed focal length of 135mm. This makes it a good choice if you need to shoot subjects from a distance, like portraits or certain types of video where a compressed background and subject isolation are desired. The bright f/2.0 aperture is a key strength, allowing you to work well in low light and achieve a shallow depth of field for smooth, professional-looking background blur.

Since this lens is manual focus only, it might require some practice to use effectively for video, especially if you need to quickly change focus during a shot. It does not feature autofocus, which can be a drawback if you prefer automatic focus adjustments. The lens includes ultra multi-coating (UMC) to reduce glare and improve image quality, and it has an extra-low dispersion element to cut down on color fringing. Image stabilization is not included, so you might need a tripod or gimbal for steady shots, particularly at this focal length.

Built for full-frame cameras, it also works on APS-C bodies with a narrower field of view. The 9-blade aperture helps create pleasing bokeh, which is valuable for cinematic video looks. The removable lens hood offers protection and reduces flare. Weighing about 1.8 pounds, it’s relatively lightweight for a telephoto lens, making it easier to handle during longer shoots. This lens is well suited for videographers who want high-quality, sharp images with strong low-light performance and don't mind manual focusing. It’s less ideal for fast-paced shooting that demands quick autofocus or built-in stabilization.

Rating
10.0
Chosen by1,242
Focal Length
Aperture
Image Stabilization

Most important from
415 reviews

Focal Length
Its field of view on APS-C sensors is narrower, making it less ideal for portraits but excellent for distant or smaller subjects.
Aperture
The lens delivers outstanding sharpness even at its widest aperture, producing jaw-dropping 100% crops and maintaining clarity after heavy cropping.
Image Stabilization
Absence of autofocus and image stabilization means using a tripod or gimbal is advisable for steady shots at this focal length.
Autofocus
The manual focus ring is exceptionally smooth with a long throw, making precise focus adjustments easier and more enjoyable.
Lens Type
Its relatively lightweight design makes it manageable for longer shoots despite being a telephoto lens.
#2

Canon RF600mm F4 L is USM

Rating
9.7
Focal Length
Lens Type

Most important from
6 reviews

Focal Length
Canon makes some of the greatest lenses in the world, and this 600mm is probably their best.
Lens Type
This Canon RF flagship fast super telephoto lens is a dream to use.

The Canon RF600mm F4 L IS USM is a super-telephoto lens specifically designed for the EOS R-series cameras, making it an excellent choice for videographers who need to capture distant subjects with stunning clarity. The 600mm focal length provides exceptional reach, ideal for wildlife and sports videography. Its wide f/4 maximum aperture allows for impressive low-light performance and beautiful background blur, which enhances the visual quality of videos.

The lens features advanced optical image stabilization with up to 5.5 stops of shake correction, crucial for steady hand-held shooting. It also includes three IS operation modes to adapt to different shooting scenarios, such as panning or stationary subjects. Additionally, the lens coatings minimize ghosting and flare, ensuring high contrast and color fidelity in various lighting conditions.

There are some considerations to keep in mind. The minimum focusing distance of 13.78 ft. may limit close-up shots, and the lens's weight of 16.38 pounds makes it less portable and may require additional support equipment like a tripod. The lens is also quite niche, best suited for specific types of videography rather than general use. Its compatibility with Canon RF 1.4x and 2x Extenders offers flexibility in extending the focal length, but it comes at the expense of reduced aperture size. The Canon RF600mm F4 L IS USM lens is a powerful tool for videographers who need top-tier performance in capturing distant subjects, but it may not be practical for all shooting scenarios due to its size, weight, and focusing limitations.

Rating
9.7
Focal Length
Lens Type

Most important from
6 reviews

Focal Length
Canon makes some of the greatest lenses in the world, and this 600mm is probably their best.
Lens Type
This Canon RF flagship fast super telephoto lens is a dream to use.
#3

Canon EF 600mm f/4L is III USM Lens Black

Rating
9.7
Autofocus

Most important from
2 reviews

Autofocus
The lens is extremely fast in focusing, and it maintains the focus.

The Canon EF 600mm f/4L IS III USM Lens is a super telephoto prime lens with a 600mm focal length, making it highly suitable for capturing distant subjects, such as wildlife or sports events. Its f/4 aperture allows for good light intake, crucial for achieving quality shots in various lighting conditions. The lens is equipped with image stabilization, which is valuable for video recording, helping to reduce camera shake and ensuring steadier footage. This is especially important at such a long focal length where even small movements can be magnified.

The autofocus system in this lens is fast and precise, aiding in maintaining sharp focus on moving subjects, which is beneficial for dynamic video recording. Additionally, the lens features advanced coatings like Super Spectra and Air Sphere to minimize ghosting and flare, enhancing image clarity and quality. Built to withstand harsh conditions, this lens is dust- and water-resistant, making it a dependable choice for outdoor videographers.

On the downside, its 600mm focal length is highly specialized and may not be versatile for all types of video work. The lens is quite large and heavy, which could be cumbersome for handheld shooting and may require additional stabilization equipment like tripods or gimbals. Furthermore, given its professional-grade features and build, it comes with a high price point that may not be suitable for casual videographers or those on a budget.

Rating
9.7
Autofocus

Most important from
2 reviews

Autofocus
The lens is extremely fast in focusing, and it maintains the focus.

Buying Guide for the Best Canon Lens For Video

Choosing the right Canon lens for video can significantly impact the quality of your footage. The right lens can help you achieve the desired look, feel, and style for your videos. When selecting a lens, consider factors such as focal length, aperture, image stabilization, and autofocus capabilities. Understanding these key specifications will help you make an informed decision that best suits your video production needs.
Focal LengthFocal length determines how much of the scene will be captured and how close subjects will appear. It is measured in millimeters (mm). Wide-angle lenses (10-35mm) capture more of the scene and are great for landscapes and tight spaces. Standard lenses (35-70mm) offer a natural perspective and are versatile for various types of shots. Telephoto lenses (70mm and above) bring distant subjects closer and are ideal for close-ups and portraits. Choose a focal length based on the type of video you plan to shoot. For example, a wide-angle lens is suitable for vlogs and travel videos, while a telephoto lens is better for wildlife or sports.
ApertureAperture refers to the size of the lens opening that allows light to enter the camera. It is expressed as an f-number (e.g., f/1.8, f/2.8). A lower f-number means a larger aperture, which allows more light and creates a shallow depth of field, resulting in a blurred background effect. This is useful for isolating subjects and achieving a cinematic look. Higher f-numbers mean smaller apertures, which are better for keeping more of the scene in focus. If you often shoot in low light or want a cinematic look, choose a lens with a wide aperture (f/1.2 to f/2.8). For general use, an aperture of f/3.5 to f/5.6 is sufficient.
Image StabilizationImage stabilization (IS) helps reduce camera shake and produce smoother footage, especially when shooting handheld or in low light. Canon lenses with IS technology compensate for small movements, making it easier to capture steady video. This is particularly important for videographers who shoot on the go or without a tripod. If you plan to shoot a lot of handheld video or in challenging conditions, look for lenses with built-in image stabilization. For static shots or when using a tripod, IS may be less critical.
AutofocusAutofocus (AF) ensures that your subjects remain sharp and in focus, which is crucial for video production. Canon lenses with advanced AF systems provide fast, accurate, and quiet focusing, which is essential for capturing smooth and professional-looking video. Some lenses feature Dual Pixel CMOS AF, which offers excellent tracking and smooth focus transitions. If you shoot dynamic scenes with moving subjects, prioritize lenses with reliable and fast autofocus. For more controlled environments or manual focus enthusiasts, AF may be less of a priority.
Lens TypeCanon offers various types of lenses, including prime and zoom lenses. Prime lenses have a fixed focal length and typically offer better image quality, wider apertures, and are lighter. Zoom lenses have variable focal lengths, providing more flexibility to frame shots without changing lenses. Choose a prime lens if you prioritize image quality and low-light performance. Opt for a zoom lens if you need versatility and convenience for different shooting scenarios.

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