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The Allen & Heath CQ-18T Digital Mixer is a versatile and modern tool for audio mixing with a range of features suited for both live performances and studio use. It offers 16 channels, including 8 combi mic/line inputs, plus a stereo line input. This flexibility allows it to handle various audio sources effectively. The built-in WiFi (2.4GHz/5GHz) and Bluetooth connectivity add to its convenience, enabling wireless control and audio streaming, which is a significant advantage for mobile setups and quick configurations.
Its 7” capacitive touchscreen is intuitive and user-friendly, allowing for easier navigation and control, complemented by custom SoftKeys and SoftRotaries for personalized settings. The 24x22 USB interface and SD record/playback capabilities are robust, offering ample options for recording and playback, which is essential for capturing performances or sessions directly onto a computer or SD card. Additionally, the 4 FX engines provide a variety of built-in effects, enhancing the sound quality and creative possibilities.
On the downside, the unit’s weight of 9.8 pounds and dimensions may not make it the most portable option for those frequently on the move, although it remains manageable for many users. This mixer is particularly suited for professionals and enthusiasts who need a digital mixer with extensive connectivity and recording capabilities, coupled with ease of use through its touchscreen interface.
The Yamaha DM3-D is a solid choice if you're looking for a compact digital mixer with professional capabilities. It offers 22 channels, which is good for small to medium live setups or studio sessions, and includes 16 high-quality Yamaha preamps that ensure clean sound capture. The standout feature is its 9-inch touchscreen, which makes navigating controls easier and more intuitive compared to older button-heavy mixers. You get built-in effects and multiple mix buses that allow flexible routing, making it versatile for various live or recording scenarios.
Its 16x16 Dante interface is a big plus for users needing networked audio connectivity, which is common in modern digital setups. On the downside, it weighs nearly 20 pounds and, while compact, isn’t the lightest option if portability is a top priority. The mixer is wired only, which might limit some setups wanting wireless flexibility. Recording capabilities are decent but mostly tied to external devices rather than built-in multi-track recording. Software integration with Yamaha’s ecosystem is reliable but may require some learning to get the most out of it.
This mixer suits musicians, small venues, and recording enthusiasts who want professional sound quality and modern features in a manageable size, but who don’t mind a bit of weight or a wired connection.
The Yamaha TF5 32-Channel Digital Mixing Console is a robust option for users needing a high input capacity and a substantial number of faders. With 32 motor faders and 48 input mixing channels, it is particularly suited for larger venues or complex applications where managing many inputs simultaneously is essential. The connectivity options include Wi-Fi and USB, providing flexibility for different setups and integrations.
Additionally, the console comes with built-in effects, which can enhance your sound without the need for external processors. The inclusion of 32 analog XLR/TRS combo mic/line inputs and RCA pin stereo line inputs ensures versatility for various audio sources. However, the console is quite heavy at 20 kilograms (44 pounds) and large in size, which might be a drawback for those requiring portability.
The interface is user-friendly, especially for those accustomed to Yamaha products, but it might have a learning curve for new users. Recording capabilities are supported through USB, making it convenient for live recording needs. While it’s not the most compact or easy to transport, its high capacity and feature set make it an excellent choice for fixed installations or larger setups. The Yamaha TF5 is a powerful, feature-rich mixer that excels in larger, more permanent audio setups.
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