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10 Best Studio Monitor Headphones For Mixing 2025 in the United States

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Our Top Picks

#1

Winner

OneOdio Wired Over Ear Headphones Hi-Res Studio Monitor & Mixing DJ Stereo Headsets with 50mm Drivers and 1/4 to 3.5mm Jack for AMP Computer Recording Podcast Keyboard Guitar Laptop - Black

Rating
9.7
Chosen by1,253
Frequency Response
Comfort and Build Quality

Most important from
45965 reviews

Frequency Response
The audio is crystal clear with rich bass and well-balanced mids and highs.
Comfort and Build Quality
The ear cushions are incredibly soft and comfortable, even during extended use.

The OneOdio Wired Over Ear Headphones are designed with both comfort and sound quality in mind, making them suitable for mixing and mastering tasks. One of their standout features is the large 50mm drivers that deliver a solid frequency response ranging from 20 Hz to 40 kHz. This broad range helps in reproducing powerful bass, clear vocals, and detailed highs, which are essential for accurate audio mixing. The headphones also boast an impedance of 32 Ohm, making them versatile for use with various audio devices, from laptops to DJ mixers.

Comfort is another strong point, with soft, padded ear cushions and an adjustable headband that allows for long listening sessions without discomfort. The 90° swiveling ear cups enable single-ear monitoring, which is particularly useful for DJs and sound engineers who need to stay aware of their environment.

These headphones excel in comfort and sound quality for those who mix audio, though the wired limitation and closed-back design might not be ideal for every user. They're a solid choice for those in the studio or on stage, especially with the added benefit of a shared audio port to connect with another pair.

Rating
9.7
Chosen by1,253
Frequency Response
Comfort and Build Quality

Most important from
45965 reviews

Frequency Response
The audio is crystal clear with rich bass and well-balanced mids and highs.
Comfort and Build Quality
The ear cushions are incredibly soft and comfortable, even during extended use.
#2

OneOdio A70 Bluetooth Over Ear Headphones, Wireless Headphones with 72H Playtime, Hi-Res, Built-in Mic, 3.5mm/6.35mm Wired Audio Jack for Studio Monitor & Mixing DJ Guitar AMP, Computer Laptop PC

Rating
9.4
Comfort and Build Quality

Most important from
16006 reviews

Comfort and Build Quality
Comfort is a standout feature, with ear pads that fit better and provide less compression, allowing for longer wear without discomfort.

The OneOdio A70 Bluetooth Over Ear Headphones offer a combination of wireless and wired options, making them versatile for both studio settings and on-the-go use. With a long battery life of up to 72 hours, they are convenient for extended sessions without worrying about recharging. The 40mm neodymium drivers provide powerful bass and dynamic sound, which is essential for precise audio monitoring in mixing situations.

The headphones boast a frequency response up to 40 KHz, catering to high-resolution audio needs, though the lack of noise control might be a downside in noisy environments. At 32 Ohms, the impedance is suitable for use with various devices without requiring an amplifier, though dedicated studio professionals might prefer lower impedance for better sound quality. The comfortable over-ear design with memory foam and protein leather ensures long-term wearability, which is crucial for lengthy mixing sessions.

The foldable design and rotatable ear cups add portability and space-saving benefits. However, the closed-back design might limit the spatial awareness of sound, which some users prefer in open-back headphones for a more natural soundstage. Additionally, while the aux jack lock design is great for stability, the lack of water resistance might be a concern for some users. The OneOdio A70 headphones are well-suited for those seeking comfort, versatility, and decent sound quality for mixing and general use, but may not meet the needs of professionals seeking the highest audio fidelity in a studio environment.

Rating
9.4
Comfort and Build Quality

Most important from
16006 reviews

Comfort and Build Quality
Comfort is a standout feature, with ear pads that fit better and provide less compression, allowing for longer wear without discomfort.
#3

beyerdynamic DT 990 PRO Over-Ear Studio Monitor Headphones - Open-Back Stereo Construction, Wired (80 Ohm, Grey)

Rating
9.2
Frequency Response
Impedance
Closed-Back vs. Open-Back

Most important from
18816 reviews

Frequency Response
The headphones produce the most open, deep, detailed, crystal-clear sound, excelling across all music genres.
Impedance
Despite the high impedance, these headphones can be driven by most PCs and receivers, though an amp is recommended for optimal performance.
Closed-Back vs. Open-Back
The open-back design is great for an airy sound experience but does allow sound leakage, making them best suited for quiet environments.
Comfort and Build Quality
The build quality feels incredibly solid, with users trusting these headphones to last for many years.

The beyerdynamic DT 990 PRO is a solid choice for professional mixing, mastering, and critical listening. With an impressive frequency response range of 5 - 35,000 Hz, these headphones cover a broad spectrum that is ideal for detailed audio work. The 80 Ohm impedance strikes a good balance between driving power and compatibility with a range of studio equipment, though it may require a headphone amp for optimal performance with certain devices.

Featuring dynamic drivers, the DT 990 PRO delivers clear and transparent sound, with strong bass and treble, making it excellent for pinpointing nuances in your mix. The open-back design enhances the spaciousness of the audio but can let in environmental noise, which might be a drawback if you need isolation in a noisy environment. Comfort is a key strength, thanks to their soft, replaceable velour ear pads and the robust, durable build quality, ensuring long sessions without discomfort.

However, the open-back nature means these are not suitable for tracking in noisy spaces or for situations requiring sound isolation. These headphones are versatile, being suitable for gaming and general listening, but their primary strength lies in studio applications.

Rating
9.2
Frequency Response
Impedance
Closed-Back vs. Open-Back

Most important from
18816 reviews

Frequency Response
The headphones produce the most open, deep, detailed, crystal-clear sound, excelling across all music genres.
Impedance
Despite the high impedance, these headphones can be driven by most PCs and receivers, though an amp is recommended for optimal performance.
Closed-Back vs. Open-Back
The open-back design is great for an airy sound experience but does allow sound leakage, making them best suited for quiet environments.
Comfort and Build Quality
The build quality feels incredibly solid, with users trusting these headphones to last for many years.

Buying Guide for the Best Studio Monitor Headphones For Mixing

When choosing studio monitor headphones for mixing, it's important to focus on the specifications that will ensure you get the most accurate and detailed sound reproduction. This will help you make precise adjustments to your mixes and ensure they translate well across different playback systems. Here are the key specs to consider and how to navigate them to find the best fit for your needs.
Frequency ResponseFrequency response refers to the range of frequencies that the headphones can reproduce, typically measured in Hertz (Hz). This spec is crucial because it determines how accurately the headphones can reproduce the lows, mids, and highs of your audio. A wider frequency response range (e.g., 20 Hz to 20 kHz) is generally better as it covers the full spectrum of human hearing. For mixing, you want headphones that can accurately reproduce both the deep bass and the high treble frequencies, so look for a range that covers at least 20 Hz to 20 kHz.
ImpedanceImpedance, measured in ohms (Ω), indicates how much power the headphones need to deliver sound at a certain volume. This is important because it affects the compatibility with your audio equipment. Low impedance headphones (under 50 ohms) are suitable for use with portable devices like smartphones and laptops, while high impedance headphones (over 50 ohms) are better suited for professional studio equipment with dedicated headphone amplifiers. For mixing, if you are using professional audio interfaces or amplifiers, higher impedance headphones can provide better sound quality and detail.
Driver SizeDriver size, measured in millimeters (mm), refers to the diameter of the headphone's speaker driver. Larger drivers (e.g., 40mm to 50mm) can produce more powerful and detailed sound, especially in the bass frequencies. This is important for mixing as it helps you hear the full depth and detail of your audio. However, larger drivers can also make the headphones bulkier. Choose a driver size that balances comfort and sound quality, typically around 40mm to 50mm for studio monitor headphones.
Closed-Back vs. Open-BackClosed-back headphones have ear cups that are sealed, which helps to isolate sound and prevent audio leakage. This is important for mixing in noisy environments or when you need to focus on the details without external distractions. Open-back headphones, on the other hand, have ear cups that allow air and sound to pass through, providing a more natural and spacious sound. This can be beneficial for mixing as it gives a more accurate representation of how the mix will sound on speakers. Choose closed-back headphones for better isolation and open-back headphones for a more natural soundstage.
Comfort and Build QualityComfort and build quality are essential for long mixing sessions. Look for headphones with adjustable headbands, cushioned ear pads, and lightweight designs to ensure they remain comfortable over extended periods. Durable materials and a sturdy build are also important to withstand regular use. Try to find headphones that offer a good balance of comfort and durability, as this will help you stay focused on your mixing without discomfort or the need for frequent replacements.

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